Code, computation, and craft are my creative languages and each is a different way of observing, interpreting, and reshaping the world. I work across physical and digital media, finding that the most interesting ideas live at the boundaries between them: where an algorithm becomes a textile, where a body moving through space becomes data, where a generative system produces something that feels handmade.

My practice spans creative coding, parametric fabrication, interactive installation, and 3D simulation. Photography remains a thread throughout. It taught me to see in patterns of light, shape, and movement, a way of looking that now informs how I think about generative systems and spatial interaction. Calligraphy and design trained my eye for proportion, rhythm, and visual cohesion, which shows up in everything from how I structure code to how I compose an animation.

I'm drawn to work that doesn't sit still in one discipline and projects that require building, making, and thinking simultaneously.